Policy StatementThis event is being organised by a local committee of musicians and jazz fans.
Our aim is to promote jazz on the Isle of Wight. Members of the committee will not receive any financial reward. Inspected accounts will be made available on request.
The committee will cover the cost of the main venues and headline acts. This will be funded by sponsorship, ticket sales and other fund-raising activities.
Any subsequent profits will go towards funding future events and a donation to charity (IW Mountbatten Hospice).
We will encourage other performances during the period. However, we will not act as agents. It will be the responsibility of the performers and venues to negotiate between themselves.
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Alan Barnes1977-80 Alan studied saxophone, woodwinds and arranging at the Leeds College of Music.
In 1980 he moved to London, playing with the Midnight Follies Orchestra and the following year was with the Pasadena Roof Orchestra, touring Europe until 1983. In that year he left to join the hard bop band of Tommy Chase where he attracted considerable attention on the UK jazz scene for the first time.
He left Chase in 1986 to co-lead The Jazz Renegades with rock drummer Steve White travelling as far afield as Japan and recording four well received albums. In 1988 Alan was asked to fill the chair recently vacated by Bruce Turner in the Humphrey Lyttleton band where he stayed until 1992. 1987-97 he also found time to lead the Pizza Express Modern Jazz Sextet with Gerard Prescencer and Dave O'Higgins. Since leaving the Lyttleton band, Alan has concentrated on his freelance career.
Alan has enjoyed a prolific career as a sideman, playing and recording for many bands. He broadcast regularly over a ten-year period with the BBC Big Band and Radio Orchestra and has toured and recorded with big band leaders, Dick Walter, Kenny Baker, Bob Wilber, Don Weller, Stan Tracey, Mike Westbrook and John Dankworth. Other bands he has toured and recorded with include the Tina May Trio, Bill Le Sage's Genetically Modified Quintet, Spike Robinson's Tenor Madness, Clare Teal, and a sextet with Don Weller playing the music of Cannonball Adderley. Alan has also toured the U.K. with Freddie Hubbard. Alan has long associations with pianist David Newton, going back to their college days, and with blistering be-bop trumpeter Bruce Adams, with whom he has co-led a quintet since the early nineties.
Alan has been featured on many jazz recordings from his first record date as co-leader in 1985 with Tommy Whittle and as leader of his own quartet in 1987 right up to recent record dates with Scott Hamilton, Warren Vaché and Harry Allen. He has appeared on the Concord, Fret, Miles Music, Nagel Hayer and Specific labels with various projects.
Alan has recorded a large number of sessions with pianist Brian Lemon on the Zephyr label. Amongst these sessions are duet, quintet, sextet and octet sessions with Warren Vaché, Tony Coe, Ken Peplowski, Gerrard Prescencer and Mark Nightingale.
Alan has performed as a member of Clark Tracey's Tribute to Art Blakey and was featured on the David Newton/Clark Tracey recording Bootleg Eric. He has also appeared as a session musician on albums by Selina Jones, Bjork, Van Morrison, Bryan Ferry, Clare Teal, Jamie Cullum and Westlife and can also be found on film and television soundtracks including Chicago and jingles such as the Tetley Bitter series of adverts featuring his solo baritone. Alan has appeared regularly as a member of the Laurie Holloway Orchestra on television's Michael Parkinson show and Strictly Come Dancing.
In 1999 Alan toured America and Europe with Bryan Ferry's band, returning to the U.S.A. in early 2000 to record and tour for ten weeks with Warren Vaché's eleven-piece band - a project for which he had written most of the arrangements. He returned to Kansas City in 2001 to perform as a guest soloist at the Topeka jazz Festival. That November he featured on baritone and clarinet at the Blue Note Clubs in New York and Tokyo with the Charlie Watts Tentet and followed this with a stay in South Africa as a solo artist.
In November 2003, he was made a fellow of the Leeds College of Music. Later that year also saw the inception of Alan's own record label Woodville Records.
Over the years Alan has won many British Jazz awards in alto, baritone, clarinet and arranging categories. In 2001, 2006 and in 2010 Alan received a trio of prestigious BBC Jazz Instrumentalist of the Year awards, in 3 categories: for clarinet, alto sax and baritone sax.
Compositions and commissions include The Sherlock Holmes SuiteŁ, two series of jazz songs written with playwright Alan Plater Songs for Unsung Heroes and The Seven Ages of JazzŁ, The Marbella SuiteŁ, and settings of E.E. Cummings and other poets arranged for Jazz octet. Latest projects include a clarinet led trio with Jim Hart on vibes and Paul Clavis on drums and an all star octet playing the music of Duke Ellington.